Eva Dijkstra’s bold and colourful work straddles the junction between painting, sculpture, art and design. Following in the tradition of minimalist paintings and shaped canvasses, but picking up where her precursors left off. Presenting itself as minimal, or even non-objective, it is only after closer investigation the true work presents itself.

Each work finds its origins in data; Minimalism and hard-edge abstraction are no longer the subject itself but is recharged with meaning and subjectivity. Dijkstra’s monochrome compositions daringly marry painting and sculpture, while combining concerns of minimalism and hard edge abstraction with data visualisation.

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